DOORS OPEN AT 5 PM
SHOW STARTS AT 6 PM
$15 TICKETS (CLICK HERE TO PURCHASE TICKETS)
ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.
MOSTLY STANDING / LIMITED SEATING
“Recording in a foreign environment like Berlin, I was inspired to experiment with more cinematic, psychedelic sounds,” says Sam Doores, “but I also wanted to combine that with my love for old school New Orleans R&B and folk music. Recording this album was an opportunity to explore the space between those worlds.”
Written on-and-off over the course of several years, Doores’ captivating self-titled debut is classic and contemporary all at once, blending traditional southern roots with adventurous sonic landscapes as it reckons with heartache and loss, love and gratitude, fresh starts and, ultimately, a whole lotta change. Doores’ timeless ear for songcraft and easygoing delivery combine here to yield a sound that feels instantly familiar, full of comfort and warmth even as it breaks bold new ground. The performances are infectious in their ease, simple on the surface but built on foundations of deep emotional and harmonic complexity that belie their amiable exteriors. It’s a dynamic that Doores is quick to credit to producer Anders ‘Ormen’ Christopherson, whose chance email sparked the entire project.
“Before Hurray for the Riff Raff or The Deslondes took shape, I was in a band called Sundown Songs alongside Kiki Cavazos, Alynda Segarra, Pat Reedy, Jessie Camerdiener, and Ross Hartman,” says Doores, who’s called New Orleans home since 2006. “Anders found our music a few years later and sent me an email saying he was opening a studio in Berlin, and if I ever came through, he’d love to record together.”
As chance would have it, Doores was just about to head to Europe at the time with The Deslondes. Hailed as “burgeoning stars” by The New York Times, the band came together as Doores was transitioning out of Hurray for the Riff Raff, and their singular sound mixed the gritty folk and country of old Alan Lomax field recordings with the electrified soul of early Stax and Sun Records. The group’s 2014 self-titled debut was a breakout hit, praised by NPR as “energized, elegant and new,” and their 2017 follow-up, ‘Hurry Home,’ earned similar acclaim, with Rolling Stone calling it “a gritty, grimy mix of early rock ‘n’ roll and lo-fi R&B.”
As a babe Jeffrey Martin sought out solitude as often as he could find it. He’s always been that way, and he has never understood the whole phenomenon of smiling in pictures, although he is a very happy guy. One night in middle school he stayed up under the covers with a flashlight and a DiscMan, listening to Reba McEntire’s ‘That’s the Night that the Lights Went Out in Georgia’ on repeat until the DiscMan ran out of batteries. That night he became a songwriter, although he didn’t actually write a song until years later. After high school he spent a few years distracting himself from having to gather up the courage to do what he knew he had to do.
Eventually he found his way to a writing degree, and then a teaching degree. He wrote most days like his life depended on it, all sorts of things, not just songs, but songs too. He fell in love with teaching high school English, which was fantastic because he never thought he’d actually come to truly love it. His students were fierce and unstoppable forces of noise and curiosity, and for all that they took from him in sleep and sense, they gave him a hundred times back in sparks and humility.